Sex and the City

Winner of Golden Globes for Best TV Series and Best Actress, Sex and the City is based on Candace Bushnell's provocative bestselling book. Sarah Jessica Parker stars as Carrie Bradshaw, a self-described "sexual anthropologist," who writes "Sex and the City," a newspaper column that chronicles the state of sexual affairs of Manhattanites in this "age of un-innocence." Her "posse," including nice girl Charlotte (Kristin Davis), hard-edged Miranda (Cynthia Nixon), and party girl Samantha (Kim Cattrall)--not to mention her own tumultuous love life--gives Carrie plenty of column fodder. Over the course of the first season's 12 episodes, the most prominent dramatic arc concerns Carrie, who goes from turning the tables on "toxic bachelors" by having "sex like a man" to wanting to join the ranks of "the monogamists" with the elusive Mr. Big (Chris Noth). Meanwhile, Miranda, Cynthia, and Samantha have their own dating woes, few of which can be described on a family Web site. Seinfeld has nothing on Sex and the City when it comes to shallow, self-absorbed characters or coining catch phrases. Episode 2, for example, introduces the term "modelizer": a guy who is obsessed with and will only date models. Some may accuse this series of male bashing. But women, after years of enduring shows with "men behaving badly," will relish the equal time. Some may blanch at the ladies' graphic language and ribald humor, or dismiss some of the situations as unrealistic (Carrie doesn't bat an eye when she discovers that an artist friend surreptitiously videotapes his sexual conquests). Still others will view Sex and the City as documentary. Regardless of your view, this groundbreaking series will have you longing for more.

A smart and savvy (albeit highly stylized) look at the single lives of four thirtysomething Manhattan women, Sex and the City: The Complete Second Season builds on the foundation of its first season with plot arcs that are both hilarious and heartfelt, taking the show from breakout hit to true pop-culture phenomenon. Relationship epiphanies coexist happily alongside farcical plots and zingy one-liners, resulting in emotionally satisfying episodes that feature the sharp kind of character-defining dialogue that seems to have disappeared from the rest of TV long ago. When last we left the NYC gals, Carrie (Sarah Jessica Parker) had just broken up with a commitment-phobic Mr. Big (Chris Noth), but fans of Noth's seductive-yet-distant rake didn't have to wait long until he was back in the picture, as he and Carrie tried to make another go of it. Their relationship evolution, from reunion to second breakup, provides the core of the second season. The fittingly titled and keenly observed episode "Evolution" found Carrie trying to leave a few feminine belongings at Mr. Big's apartment with little success, charting the challenges and limits of intimacy. And the season's finale, "Ex and the City," was a melancholy goodbye for Carrie and Big that took its cue from The Way We Were. It wasn't all angst, though: among other adventures, Charlotte (Kristin Davis) puzzles over whether one of her beaus was "gay-straight" or "straight-gay"; Miranda (Cynthia Nixon) tries to date a guy who insists on having sex only in places where they might get caught; and Samantha (the exquisite Kim Cattrall) copes with dates who range from, um, not big enough to far too big--with numerous stops in between. Through it all, the four actresses cohered into a solid ensemble that played on their complex relationships among themselves as well as with men; in two short years, Parker and company became one of the best TV casts in over a decade. And to top it all off, the second season offers 18 episodes, six more than the first. Sometimes size really can make a difference!

The third season was the charm for one of HBO's gold standard series, which earned its first Emmy for Outstanding Comedy Series to go along with its Golden Globes for Best Comedy Series and Best Actress (Sarah Jessica Parker). The writing is as sharp as ever, with more trendy product placement than a Bret Easton Ellis novel and ribald banter that's a cross between the Algonquin Round Table and the Friars Club. One of this season's two principal story arcs concerned hapless-in-love Charlotte (Kristin Davis) and her pursuit of a husband; enter (if only...) Kyle McLachlan as the unfortunately impotent Trey. Meanwhile, sex columnist Carrie has a brief but memorable fling with a politician who’s golden, but not in the way she anticipated. She then sabotages her too-good-to-be-true relationship with furniture designer Aidan (John Corbett) by having an affair with Mr. Big (Chris Noth), who himself has gotten married.

The fourth season of Sex and the City is just as smart and sexy as ever, mixing caustic adult wit and sharply observed situation comedy on the mean streets of Manhattan, though this time the quartet of singleton city girls must endure even tougher combat in the unending war of love, sex, and shopping. Carrie (Sarah Jessica Parker) finally seems to have found her ideal life partner when she is reunited with handsome craftsman Aidan (John Corbett). But can their relationship survive trial by cohabitation? Meanwhile Charlotte (Kristin Davis) seems to have both her dream Park Avenue apartment and a solution to her marital problems with Trey (Kyle MacLachlan). But when the subject of babies comes up, everything starts to unravel for her, too. It's not just Charlotte who has baby issues either: after what seems like an eternity of enforced sexual abstinence Miranda (Cynthia Nixon) is horrified to discover she's pregnant. And as for the sultry Samantha (Kim Cattrall), she's on a quest for monogamy, first with an exotic lesbian artist, then with a philandering businessman, with whom to her utter dismay she just might have fallen in love.

It was a short but sweet fifth season for Sex and the City, as HBO's resident comediennes found themselves affected by forces beyond their control--the pregnancies of both Sarah Jessica Parker (Carrie) and Cynthia Nixon (Miranda). A truncated shooting schedule to accommodate the actresses forced this season to be reduced to a mere eight episodes, and indeed, you can tell both actresses are expecting. (Carrie's wardrobe became more outlandish and more concealing than usual.) Still, the actresses and creators forged ahead, creating a handful of episodes that if short in content were long on emotion and laughs. Whereas the fourth season found all four grappling with various relationships, the fifth season focused on the perils of being single, with a new intensity lacking in the previous sexcapades. Carrie and Miranda wrestled with their solitary lifestyles, albeit with new attachments--Miranda had new baby Brady and single motherhood, while Carrie found herself in the world of publishing as the author of a real-life book of her columns. Charlotte (Kristin Davis) wondered if she'd ever find another man, while Samantha (Kim Cattrall) finally got rid of the one that had been vexing her far too much, hotelier Richard (James Remar). If the season as a whole felt less than the sum of its parts, those parts were some of the best comedy in the show's history, from Samantha's anointment as the "Michiko Kakutani of vibrators" to Carrie's stressful, one-degree-from-fiasco book launch party. (And fear not, Chris Noth's Mr. Big does pop up now and again.) The season's climactic episode, "I Love a Charade," found all four at the straight wedding of a seemingly gay pal (Nathan Lane) and contemplating their future with a wry, bemused tone. It was one of the series' best episodes ever, equally touching and funny, and grounded the show in an emotional maturity that announced that after all their wild travails, these women had truly grown up.

After a long wait--like the entire fifth season--Carrie Bradshaw (Sarah Jessica Parker) is dating again. The sixth season of the popular HBO show starts with Carrie and her sparkly new potential, Berger (Ron Livingston), trying to leave past relationships and hit it off. The results are mixed (up to Berger's memorable exit), but the good news is Carrie is at it again, and a new love interest can be found in the member of a wedding party, an old high school flame (David Duchovny), or an über-famous painter (Mikhail Baryshnikov). As Carrie plays the field, her friends seem to be settling down, relatively speaking. Miranda (Cynthia Nixon) decides that her affair with TiVo cannot compete when Mr. Perfect (Blair Underwood, at his most charming) moves into her building. Charlotte's (Kristin Davis) feelings for her "opposites attract" boyfriend (Evan Handler, perhaps fans' most-loved boyfriend) deepen, but they still have a few things to iron out. Most surprising is Samantha's (Kim Cattrall) hot relationship with waiter-actor-stud Smith Jerrod (Jason Lewis) taking on something resembling love, despite Samantha's best intentions.
Before the sixth season started in the summer of 2003, a bombshell hit: it was announced that this would be the finale. Fans, just getting over the truncated fifth season (due to half the cast getting pregnant), were beside themselves. But it would be a long season, and these 12 episodes plant the seeds for the final eight airing the following winter. These dozen episodes illustrate the maturity of the show: there's not a bad one in the bunch, with things like old flames Mr. Big (Chris Noth), and Steve (David Eigenberg) popping in with deeper resiliency. And the show is still flat-out funny. Berger is the most intrinsically humourous of Carrie's beaus (his introduction to Prada is a classic), Jarrod's earnest streak on Samantha gets her flabbergasted in the giddiest ways, and Charlotte's attempt to convert to Judaism is right in character. The touchstone episode is "A Woman's Right to Shoes," in which Carrie loses her prized and expensive Manolo Blahniks at a party. The comedy blends serious points of how we perceive singles, couples, and parents (and the gifts we lavish on the latter two). Carrie's method of celebrating her singlehood is just another gem in this treasure of a series.