Entourage

Entourage's fifth season leaves our movie star in a pickle: his big Oscar shot, Medellin, is a dismal failure, and Vincent (Adrian Grenier) has burrowed away to Mexico to drown his sorrows in booze and women. How does a once-promising actor get his confidence, legitimacy, and bankability back? That's the key premise this time around, and like some of its previous seasons, is always more interesting when Vince is struggling than when he's on top. Once his crew--manager Eric (Kevin Connolly), big brother Johnny Drama (Kevin Dillon), agent Ari (Jeremy Piven), and driver Turtle (Jerry Ferrara)--convince Vince to get back in the game, he finds many once-welcoming doors closed. He eagerly takes a meeting with Shawshank Redemption director Frank Darabont (playing himself), only to feel insulted when he finds it's for a TV pilot. (His subsequent options? Appearing at a Sweet Sixteen party and doing a Benji movie.) Once a promising script about firefighters (called Smokejumpers) piques Vince's interest, ensuing episodes become a complex chess game of job-hopping, backdoor-dealing, and back-scratching, which is always Entourage's strength. As Vince watches his star fade, Grenier gets a chance to let his sunny optimism crack, even sitting in Ari's office and begging to be told he's a good actor.

Entourage is everything viewers have come to expect from an HBO series: smart, hilarious, and highly addictive, especially when taken in full-season, DVD form. As implied in the title, the show follows Vincent Chase (Adrian Grenier), a rising Hollywood star with bedroom eyes and an over-active libido, along with his three childhood companions-turned-hangers-on. Kevin Dillon plays Johnny Drama, Vincent's less-attractive, B-list actor of a brother (he is Matt Dillon's less-attractive, B-list actor of a brother in real life). Jerry Ferrara plays Turtle, the weasel, and Kevin Connolly appears as Eric, the Everyman hero who hopes to parlay his friendship with Vincent (plus two years of community college) into a career in talent management. Along the way Eric contends with the predictable self-doubt, romantic indecision, etc. The cast is rounded out by Jeremy Piven (Doug Hughley from Singles) as a foul-mouthed agent reminiscent of Jay Mohr's short-lived Peter Dragon character. Finally, it's produced by Marky Mark himself--and you've got to believe that guy knows something about the star-entourage relationship. If possible, watch with a friend so you'll have someone to quote lines back to later.

The most clever thing producers did with the second season of Entourage, HBO's hip and hilariously accurate depiction of Hollywood, was to take the boys out of Hollywood. Sending star-on-the-rise Vincent Chase (Adrian Grenier) and his boys from Queens (hence the title of the show) into places like Sundance and ComiCon created a whole new treasure trove of inside jokes, and for that we thank them. The usual clutter of celeb cameos abound (Hugh Hefner, Pauly Shore, Ralph Macchio,), but one main story arc takes up the entire season: Vincent's casting in Aquaman, the big-budget movie he didn't want to star in, and then had to vie against Leonardo DiCaprio to get. Mandy Moore turns up as the only girl who ever broke Vince's heart (on the set of A Walk to Remember, allegedly) and now re-enters his life as his Aquagirl, while James Cameron makes a few appearances as director of the superhero project. In the meantime, Turtle (Jerry Ferrara) goes from moocher to music manager, Eric (Kevin Connolly) gets courted to be a big-time agent, and Johnny "Drama" (Kevin Dillon, ever the punchline) ponders calf implants and gets fired from a Movie of the Week with Brooke Shields. The biggest turn of events, however, happens to Vince's slick agent Ari Gold (an Emmy-worthy Jeremy Piven), who pulls a Jerry Maguire by the end of the season. Ari's ability to switch sides on a dime -- that is, to choke up at his daughter's bat mitzvah, then manipulate the family moment into a publicity stunt to lure his client away from a rival, continues to make Piven the firecracker of the bunch. Grenier is slightly less vacuous than last season, but still has the least interesting personality (which could be the point of the show--that it takes a village to make any Joe Actor into a movie star) .

The third season of HBO's inside-showbiz comedy kicks off with a familiar anxiety for Tinseltown's best: your film's opening-weekend box office. In the case of Vince (Adrian Grenier) and company, it's Aquaman, Vince's big break that took up most of last season and elevated the group to even bigger perks and tchotchkes. Luckily, the numbers are good (creator Doug Ellin reveals in the commentary that the episode was inspired by his friend who was with Tobey Maguire when he first heard Spider-Man's opening numbers) and Vince uses the leverage to chase his dream project, a biopic of Pablo Escobar called Medellin. But first he has to schmooze the film's eccentric producer who's strangely attached to his Shrek doll (Bruno Kirby, in his last role before his death in 2006) and juggle scheduling conflicts with the Aquaman sequel, which leads to an ego war with Warner studio chief Allen Grey (Paul Ben-Victor). Meanwhile, Turtle's (Jerry Ferrara) management of upstart rapper Saigon takes some sharp turns; Eric (Kevin Connolly) finds his relationship with Sloan (Emmanuelle Chiriqui) on shaky ground; and Johnny "Drama" Chase (Kevin Dillon) gets to audition for a television pilot directed by Ed Burns (playing himself). But the overarching storyline for season 3 involves Vince's agent Ari Gold (Emmy winner Jeremy Piven), who was canned last season by his agency. Taking his flamboyant, hilarious assistant Lloyd (Rex Lee) with him, Ari goes about setting up his own firm, but not before drawing fire from the mafia of other agents and threatening his relationship with star client Vince. The only weak storyline involves an old childhood pal (Domenick Lombardozzi), fresh out of prison, trying to nudge his way into Vince's gang. But otherwise the show's inside look at the baptism of the newly famous continues to tickle the funny bone.

HBO's decision to release Entourage's third season in two parts makes watching the already brief season on DVD feel even more abrupt; compared to part one's 12 episodes, part two is just eight--and just as the plot feels like it's finally moving, it's over. Also over, at least as part two opens, is the working relationship between movie star Vincent Chase (Adrian Grenier) and agent Ari Gold (Jeremy Piven). Playing much like a real breakup, the two circle each other in various spots in Hollywood--avoiding, making small talk, attempting the just-friends hangout. But deep down, the two know they're meant for each other, and when Ari dangles the rights to Vincent's dream project--the Pablo Escobar biopic Medellín--Vincent is only too happy to meet, against the wishes of his new agent (Carla Gugino). The pursuit of the Medellín project is the focus of part two, from trying to close the deal on Yom Kippur (not the easiest when the studio execs are observing the holy day), to mulling an indecent proposal from a prince and his wife in exchange for financing the flick. Meanwhile, Johnny Drama (Kevin Dillon, who finally scored an Emmy nomination for this season) enjoys success on an Edward Burns-produced network drama called Five Towns. Turtle and Eric don't get as much storyline in this installment, and while there's plenty of Piven scenery to chew there's not enough of his scene-stealing assistant, Lloyd (Rex Lee). Bonus features remain minimal: commentary, a behind-the-scenes featurette. Perhaps that's the running theme of part two: There's just not enough. --Ellen A. Kim

The fourth season of Entourage follows Vincent Chase's quest for legitimacy (and Oscar) through his dream project, the Pablo Escobar biopic Medellin, whose development deal was the focus of season three. As expected, the production is riddled with troubles: Vincent (Adrian Grenier) and Eric (Kevin Connolly) clash over the ability of the film's director, Billy Walsh (Rhys Coiro), to handle the grand scale of a film. Eric even flies in Oscar-winning screenwriter Stephen Gaghan (playing himself) to the shoot in Colombia at Billy's request in order to rescue the script, only to send him home when Billy comes up with the ending himself. ("I've never had anyone pay me not to work before," says Gaghan in a hilarious cameo. "It was nice.") But as the pet project puts strains on their friendship, Eric finally takes a step off of Vince's coattails to become a manager in his own right; his first step is snagging actress Anna Faris (as herself) as a client (in true Hollywood form, after she hits him with her car). As buzz on Medellin ebbs and flows, Eric and Vince's agent, Ari Gold (Emmy winner Jeremy Piven) wheel and deal to lock in distribution and spin the behind-the-scenes drama to their advantage. Key to the negotiations is a swaggering, hotheaded studio magnate named Harvey Weinhald--the caricature is obvious--who threatens the life of any agent who double-crosses him. And that's right where our boys land, but is it a gamble that will pay off? The fourth season, as always, is rife with celebrity cameos (Dennis Hopper, the late Sydney Pollack, Kanye West), but the Medellin plot pushes out any chance for other Entourage cast members to get a storyline (Johnny Drama gets a condo! Buys a hat!), which ultimately becomes a detriment considering that Medellin, as the big finale at Cannes attests, may not have been worth all the hype. Bonus features include commentary by the cast and creators, a panel discussion, and the Medellin trailer, which with its slo-mo, self-important music and bad makeup, is a gem.